Laura Ainsworth, Staff Writer
One thing I loved about this year’s Republican National Convention that was missing from the Democrats’ glumfest the previous week was its generous display of WIT, life and humor.
For example, at my house, we were laughing and cheering when the fireworks after Trump’s speech spelled out “TRUMP 2020.” Oh, not just once --- it had to happen twice in case anybody missed it the first time! I had no idea this was even possible, but Trump’s fireworks show somehow had it.
Makes me think he really might reach his goal of putting a woman on Mars. (I’ve heard the joke that the woman will be Hillary. My money’s on Nancy Pelosi.)
Also, there was the soaring operatic aria that closed the event. Thanks to the popularization of this piece by Luciano Pavarotti, we’ve all heard it many times. But why this particular aria for this occasion?
I doubt the choice of this music to end the convention was arbitrary. Either Trump or some clever person with the campaign chose it at least partially for the little inside joke. The aria is “Nessun Dorma,” from the opera “TURNADOT” by Puccini, sung by the character Calaf. It’s a tribute to resilience, to boldness, to surviving great risk to meet a challenge and obtain a goal, and those last three notes that go up and up...in Italian “Vincero...vincero...vincero….” are, translated into English, “I will win...I will win...I will WIN…!”
Nice touch. I wonder if most leftists, who wouldn’t recognize subtlety if it hit them in the head with a two-by-four, get this.
I understand Pavarotti’s widow has complained about Trump using the Pavarotti version of this aria on the soundtrack for his campaign events. She has even said Trump’s “values” are not compatible with those of her late husband. Nicoletta Mantovani, in a letter co-signed by three of Pavarotti’s daughters, said, “We remind you that the values of brotherhood and solidarity that Luciano Pavarotti upheld throughout his artistic career are incompatible with the world vision of the candidate Donald Trump.”
Wow. Judging from the assumptions they make about Trump’s values, I think these women must have been watching WAY too much MSNBC.
This version, of course, was sung by the tenor Christopher Macchio. And he did such a beautiful job, perhaps his version is the one that should be on Trump’s campaign soundtrack, as that might resolve the issue to everyone's satisfaction. The reference to victory can be taken as a reference to America winning at a time of great challenge and conflict, and also to Trump winning the election, because at this point in our history, those two “wins” can easily be seen as intertwined.
After all the President has been through --- a fake impeachment and endless lies and personal attacks, the unleashing of a pandemic and the resulting economic catastrophe, and the deliberate fanning of racial fires by those in “blue” cities who would just as soon see them burned down if they could blame him for it --- Trump has shown that he still has the boundless energy and strength to endure and overcome them all. Little touches like the ones on display at the convention tell me that if anyone can bounce back from all this and bring the country right along with him, it will be President Trump.
He will win, he will win, he will win. Trump 2020.
A postscript: At Trump’s first rally after the convention, he carried on with that same sharp humor and verve, by noting that Joe Biden had announced he’d be coming out of the basement and making some campaign appearances “in ten days.” “TEN DAYS?!” Trump exclaimed hilariously. “TEN DAYS?! That’s like an eternity in Trumpville!” And so it is.